The most popular theory today against the Bible is that the gospels are a bunch of myths and legends. As the theory goes, Jesus was a great guy with some commendable teachings, but the stories we have about him in the four gospels are made-up legends intended to beef up Christianity’s claims.
Entire books have been written on this, but here are 4 brief reasons the gospels simply could not be fabricated legends.
One of the greatest problems in the Church today is, I believe, a lack of discernment. My generation absorbs and then spews out soundbites. I read so many blogs by my counterparts in which they will quote one line from someone and spend a whole post ranting on the out of context line. I’ve talked before about the importance of context when writing or responding, and maintain context to be my growing concern among my generation.
Today you can get The Expository Genius of John Calvin by Steven Lawson for only $5 in today’s $5 Friday sale at Ligonier.org. Other items on sale:
- Acts by R.C. Sproul (ePub)
- The Christian Mind 2012 national conference (DVD)
- The Christian Lover by Michael Haykin (hardcover)
$5 Friday ends tonight at 11:59:59 PM Eastern.
We are intensely relational beings. We become like each other. It’s just a fact.
For this reason, I recommend analyzing all our relationships. Literally put them all on a map and ask ourselves whether we want to become like these people or not. If we don’t, I strongly believe that, if possible, we should consider letting some relationships go.
It’s scandalous, I know. But I recommend it all the same.
Occasionally, if I’m speaking to a group of Christians I’ll have somebody ask whether Jesus would ever walk away from somebody. My answer is that He not only would, He did.
With his new film 12 Years a Slave earning rave reviews and Oscar buzz, British filmmaker Steve McQueen–whose background is in fine art and experimental filmmaking–is poised to become a darling of this year’s awards season. Accolades are pouring in for McQueen’s Slave for its powerful depiction of slavery and the dynamo performances of its cast. But to me the most interesting thing about Slave is what it means in the larger context of McQueen’s feature work. His films–Hunger (2008), Shame (2011), and Slave(2013)–each depict visceral, sometimes brutal explorations of human embodiment. They are centrally concerned with the body: its power, its limits, and the complex manner in which it interacts with one’s will.