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In the future, this movie should be taught in film schools to show all the ways a movie based on a Bible story can go wrong. Here are a few of the lessons Scott’s film can teach future generations of filmmakers about how to ruin a movie about Moses.
I’ve been preaching to teenagers for about twelve years now. When I first started I was barely older than they were. In those good old days I could make a reference to something from my childhood and the kids would track with me. Now I just get blank stares when I try to use some of these.
Russell Moore and Dan Darling discuss.
After many long, inexcusable years, I finally sat down to read a Jane Austen novel; Pride and Prejudice, to be exact. I suppose I had avoided them in my youth because they were the type of thing my sister–a girl, mind you–read. Also, I’d been subjected to the film Sense and Sensibility as a young boy and I’m still not sure what effect that’s had on my disposition ever since. In any case, inspired by my English acquaintances and a sense of nostalgia for literature, I picked up the copy off the shelf last week and got to work.
Though today there’s widespread disillusionment with the fields of weeds, many continue to engage in pragmatism. It’s distorting the gospel as it’s contextualized to other cultures and subcultures. And it’s turning the Sunday worship service into a staged event, with all the requisite accoutrements—rock band, “attractional” preaching, and support groups.