Sleeping with countless women with no strings attached seems like paradise to countless young men, but throughout the show, in between his seductive tricks and sexual triumphs, one reality remains:
Barney is enslaved by his sexual freedom.
And there’s reason to believe he isn’t the only one.
We are in the midst of the Barney-Stinsonization of America, and the most popular song in the country is proof of that.
Jared Wilson nails it, as per usual:
See, nobody ever said, “We changed our music style and revival broke out.”
Nobody ever said, “We moved from Sunday School classes to small groups and the glory of God came down.”
Nobody ever said, “You would not believe the repenting unto holiness that happened when our pastor started preaching shorter sermons.”
(I’m just sayin’.)
No, all those things and more can be good things. Done for the right reasons, those can be very good moves to make, but the glory of God is best heard in the proclaimed gospel of Jesus Christ. So that’s where the glory-aimed church is going to camp out.
We all talk a big game about the glory of God, but it is a rare church that takes God’s glory seriously as the purpose of everything.
L. Michael Morales:
The Book of Leviticus is the heart and center of the Pentateuch. The theological heart of Leviticus—and, therefore, also of the Five Books of Moses—is the Day of Atonement (Lev 16). On this most sacred day, the high priest of Israel would bring the blood of sacrifice into the holy of holies to cleanse both the tabernacle dwelling of God and the camp of Israel. Ultimately, every other sacrifice and ritual in Israel’s cult derived its meaning and significance from this annual entrance into the earthly throne room of God. Worship in ancient Israel was through the chosen and anointed mediator, the high priest. Significantly, then, in the Pentateuch “messiah” refers exclusively to Aaron the high priest—he is the one anointed with oil, whose mediation allows God’s people to draw near in worship.
Mark Jones on the problems with trying to do theology well in 140 characters or less.
Sam confesses an infidelity to Sheila, and she forgives him. Sheila confesses an infidelity to Sam, and he forgives her. Everything seems to be back on track until Sheila says, “I have another one.” Sam says, “It’s okay, don’t worry about it. This is what it’s all about…honesty and forgiveness.” But then she says that it’s Cliff, from Cheers (the frumpy mailman played by John Ratzenberger). “Cliff?!?!?!” Sam explodes. This is over the line for him. He can’t take it and storms out of the room, calling off the marriage.
All too often, this is how we think of God’s forgiveness, and why assurance eludes us.
Whether designed to clarify evangelicalism as an object of study or analysis, or to police its supposed boundaries, definitions of evangelicalism have generally tended to occlude the cultural, institutional, and sociological dimensions of the movement. This is unfortunate, as it is precisely these elements that are most salient in the experience of many within it. Evangelicalism is not There is a sort of evangelical folk religion, most of which is largely unauthorized by pastors or elders.typically experienced as a set of abstract and explicit doctrines or beliefs held by individuals, but more as a distinctive cultural environment within which such beliefs are inconsistently and idiosyncratically maintained. The official beliefs of evangelicalism exist alongside a host of other miscellaneous elements and the cross-pollination from the surrounding society, all sustained within local churches and a shifting constellation of denominations, movements, ministries, groups, and agencies.